Credits:
Executive Producer: Roger Ballen
Directed/filmed/edited: Ben Jay Crossman
Writers: Roger Ballen, Ben Jay Crossman
Sound Design: Darryl Torr
Grade by Pudding: Nicolas Apostoli, Ciretta Frezza
Motion Graphics by BFX: Shaun Froneman, Hein Schlebusch
Special Thanks: Wilma Smit, Marguerite Rossouw, Simone Stiglingh
Cast: Stan, Dirkie, Dirk, Stefanus

Roger Ballen in our ‘Best Of’ Ten Years one small seed

Watch Roger Ballen’s “Outland” & Find out more about his work with Die Antwoord

 
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AFDA (The South African School of Motion Picture Medium and Live Performance) has

‘produced some of the top film-makers and actors in South Africa today and has made a significant contribution to developing a sustainable local entertainment industry’.

But, back to the young ‘seeds’… We were really impressed with the television and film productions that were honoured, but have decided to share with you the cream of the crop! The winning third year film production was Happy Earth Co! Sit back, relax, and enjoy their 12-minute masterpiece!

Credit where credit is due:
Happy Earth Co won Best Third Year Film Award and the Critics Award, as well as:
Best Screenplay: Hylton Jandrell
Best director: Hylton Jandrell
Best Sound Designer: Joseph Vink
Best Cinematographer: Jake Levy
Best Producer: Henrik Waage Tjore

Speaking from our 9 years of experience in the industry – we offer this advice:

‘Without hard work, nothing grows but weeds’. Gordon B. Hinckley

Take a look at some of the other productions here… You can thank us later for introducing these future entertainment industry leaders to you!

Watch:

Watch more videos on onesmallseedTV!

Watch:

 
Here are some viewers’ comments, leave your own at the bottom of the post!

Perfect ! Nice tracking, cool integration of the motion elements, really nice performance, congrats to all the people involved on that – Mattias Peresini PRO

Imagine having a device like this to teach students the principles of math, physics and architectural design. Didn’t like make but this would make me stay after class. – tanalyn dollar PLUS

I’ve changed my mind about deaf people now I’ve seen this. They’re alright – WPryn3D

Fist watch the 2015 trailer and then check out the the trailer for the 1985 release, Mad Max – Beyond Thunderdome

 
The post-apocalyptic action film features British actor Tom Hardy as Mad Max, and is set to be released in the US on May 15 next year. Leaving a major impression on the Comic-Con audience – who had the first look during Warner Bros’ presentation on Saturday (26 July) – this three-minute sneak preview is quickly leaving impressions worldwide.

There’s been a whole lot of ‘diversity’ in the comments on YouTube… We’ve picked out a few to show you. Leave us your own comment below on what you think about the fourth film in the highly iconic Mad Max franchise…

Oh hell. I need to change my underwear. (Alex Mayo)

Get lost Thunderdome! The Roadwarrior is back with a BOOM! Can´t wait! (Alexander Klös)

This is what you would describe as an explosive trailer. I think Mad Max: Fury Road actually has potential, as long as it doesn’t end up being mindless Hollywood crap. (Artem Russakovskii)

Check out the just-released trailer for the upcoming Simpsons X Family Guy cross-over episode on one small seed, here!

Using the original interview recording as the soundtrack, director Josh Raskin has woven a visual narrative which tenderly romances Lennon’s every word in a cascading flood of multipronged animation. Raskin marries the terrifyingly genius pen work of James Braithwaite with masterful digital illustration by Alex Kurina, resulting in a spell-binding vessel for Lennon’s boundless wit, and timeless message.

Escándalo: a Cruise 2014 Fashion Film by Karla Colletto from Karla Colletto on Vimeo

Credits:

Concept and Design: Design Army
Music: Le Parisienne
Composer: Andrew Blaney [PRS]

Crew:

Creative Director: Pum Lefebure, Jake Lefebure (Design Army)
Director / Cinematography: Dean Alexander
Designers: Eileen Tjan, Charlene Sepentzis (Design Army)
Editor: David Grossbach
Copywriter: Mark Welsh
Color Grade/Animation: Jeremy Stuart, Victor Uhal
Camera Assist: Rashid Belt
Prop Assistant: Wiola Marek
Hair/Make-up: Dale Johnson
Model: Zinta (Photogenics, LA)
Wardrobe stylist: Rodney E. Hall

Source: Vimeo, Karla Colletto

SYN-Phon (Graphic notation) from candas sisman on Vimeo

Coming about to understand the human nature of comprehending linguistics is that of a complex take–on. The constituent elements of language, in general content, bring forward the theory of other minds sharing, with intentioned communication. Thought varies with the use and absence of language that comes to be found in line with the development of thinking and impulses from our daily surrounding. Eventually language creates our point of view just as much as our ideas and perception of matters, individualistically.

Art plays a crucial role in demolishing the boarders of our comprehension our mindset is framed into by literate language. Human language serves as a rather conservative form of communication when comparison to musical language; where the freedom of space employs as a resort for that broad horizon of that, that in search of cutting-edge form of broadcast.

Candas’s trials of combing various forms don’t necessarily imply the mere creation of a pioneering flash but rather the use of the endless possibilities in associating the known and unknown. Through the unknown, we come about with a new way of thinking that tries to substitute and make space for a new tool of self-expression. Conclusively the graphical notation gives liberate opportunity in creating one’s personal language that holds its basis on feeling the visual and sound in parallel.

Phonation, in accordance to Candas is the presence of sound language in SYN-Phon where the structure is supported by the synthesis itself. Music in its myriad forms extends to exploiting a communicative human language, thereby making the conceptual idea much more of significant importance than the actual tool. For Candas the presence of music in positively charged negatives spaces is a key element for substitution of the unknown seeking to be expressed. By the happening of SYN-Phon the line of musician will be crossed into a rather freely inflicted composer. Lőrinc and Mátyás as the musical inputs , on trumpet and cello respectively, of the performance will attain free expression rightfully to the impulses in line of creating a new language.

SYN-Phon sound performance will demonstrate an articulation based on Candas’s intimate collective findings of Budapest during the month of June. Buda and Pest in the separate geographical allocation hold different quintessence natures, in addition to the anecdote of recent flooding events of Duna the performance is meant to reach out to the audience as a sensual expressive language. The sound performance will include sounds, constructed and picked up in Budapest recorded by Candas himself. The whole bulk graphical notation will be available in print form to be part of the introductory assimilation.

Credits:

Graphical notation and composition by Candas Sisman
Barabás Lőrinc: Trumpet
Ölveti Mátyás: Cello
Candas Sisman: Electronics and Objects

Links:

csismn.com
budapestartfactory.com
barabaslorinc.com
accordquartet.hu