Ranging from graffiti, graphic design, image manipulating, live art and more, your creativity has taken on many forms. What was your beginning media though and how did you get started in it?

I started drawing since the age of six. I loved tracing images and usually used a pencil. My teenage years saw me just drawing with a black pen on any surface I could find, the reason for this was because I couldn’t afford proper art supplies. During my high school career I developed a taste for drawing characters but more like cartoons, fun stuff — this is what I was exposed to. I became a member of the SRC and was given the opportunity to do the cover of our first SRC magazine as well as a few illustrations. In college I fell in love with charcoal and did all the traditional still life, portraits and landscapes which were lots of fun but not enough. I wanted to do something different. When I completed my History of Art course, I was hooked on surrealism, pop art and cubism but never pursued a career as an artist. I majored in graphic design and after college the hustle started. The next 10 years I found myself sitting in front of a computer screen and never touching a pencil or black pen. I developed some skills in Photoshop and exhibited some digital art for A Happy Place Creation’s group exhibition. A few years later I started hanging out with more creative people and went to art exhibitions. I was truly inspired by Cape Town artist Lindsey Levendal’s work and after meeting him I picked up a pencil and started to express myself. In 2010 I met up with Cape Town artists Leigh Cupido, Rayaan Casiem and Nardstar, who inspired me so much that I nervously agreed to be part of group exhibition with them. The CORE Exhibition was a huge success and this was the rebirth of me as an artist.

Growing up on the Cape Flats, what were some of the people, places, and events and such that inspired you to be an artist in general and produce the type of work you create specifically?

I grew up surrounded by colour and beautiful people continually expressing themselves. My creative side comes from my late father Abdul Aziz Davids; even though he was into construction he always thought creatively and also sketched as a teenager. On the Cape Flats I was inspired by Cape Town graffiti artist Falco Star. As a youngster I use to be amazed at his ability to create images and letters on a wall just by using a spray can. He beautified our neighbourhood and this gave a lot of kids hope. There were other influential graffiti writers that also inspired me, guys like Muff2, Ice and Mak1 whose work could be seen all over the Cape Flats.

It wasn’t their graffiti styles that inspired me, it was the fact that they were artists expressing themselves and doing what they love. I wanted that same feeling, so I use to walk around our area with my little sketchbook and drew anything that caught my eye.

My current style of work has changed immensely thanks to inspiring artists such as the CORE crew.

Your style is very abstract and could be interpreted many ways. Do you have a particular message your trying to convey?

The message is to help free minds and allow humanity to think for themselves. The message is to question everything. The message is peace, love, enlightenment and consciousness. The message is truth, freedom and revolution. The message is to do for yourself and inspire others. The message is hope, salvation and oneness. The message is fear, solitude and anger but with that said, I prefer the viewer to create their own message; in this way they have taken the time to explore my work and give me their thoughts instead of me explaining my process.

If you could describe your style in three words what would they be?

Experimental, abstract, surreal.

Your work has been featured in galleries, art walks and has been showcased on customized clothing for Supremebeing™. Is there a theme that stays consistent regardless of where your work is showcased?

I never have a theme I just go with my mood and my surroundings, almost chameleon-like, I just adapt. I usually have an idea in my head, but when I get to the task at hand things change.

Tell us a little about your idea of ‘live art’. What was a project that allowed you to freely express yourself the most effortlessly?

‘Live art’ for me, is like a live performance where the artist gets to showcase their process and interact with the public. I was introduced to live art painting for the first time in 2012 at the annual Art Walk. I enjoyed the idea of creating an art piece in front of people, sometimes I get lost in my work and forget that there is a crowd watching.

Are there any other portals of creativity you would like to explore? Different art forms you’re looking into for the future?

I would like to do installations and work more with spray cans and do HUGE murals on buildings across the world… with permission of course.

Interview by Heather Worthing
Images: Anwar Davids Gary Van Wyk
For more of Davids work check out
His blog CLONE ART
CORE ARTISTS Facebook page
Twitter: @gurugaste
Davids is currently part of a group exhibition at the Mødestedet – Collaboration space Gallery in Denmark

A fascinatingly calm group of artists with their own distinctive styles, the artists have a grounded pride about them; this will be their first time exhibiting together. Dressed as effortlessly sophisticated as his work– in a crisp white shirt and black tie– Rayaan seems ready. Leigh next to him, lanky and tall with boyish charm shuffles impatiently in his seat beside Anwar, who projects the kind of wisdom that could only come from years of hard work. The most shy of the group, NardStar*, likes to let the work speak for her. Every artwork in the exhibition was done meticulously by each member of CORE, including the beautiful wooden frames they are cased in. A labour of love, each one of the works is for sale, however reluctant they are to let them go…

What are your various mediums and why did you decide to use them?

Rayaan: I’m a big fan of working in monotones, so black and white is my thing. I like the strength and the boldness of it, so I chose to work in black india ink. It’s the first time I’m using this medium so it was quite a learning curve for me! It has such an awesome variation of line quality going from very thin to very thick, so details weren’t a problem; it’s such a fluid medium. It’s waterproof too, so you can do colour washes over it without any trouble.

Leigh: I generally do graffiti, so I used spray paint and india ink too. I saw Rayaan using it, and I thought “well that’s rocking!” It looks great for the style that I was going for…

And what kind of style is that?

Leigh: …Anti-style!

Dramatic! And Anwar? Are you using india ink too?

Anwar: I thought about using it too, I mean obviously it’s quite awesome, but I prefer to use a black fine liner. I’m happy with the outcome, because of the control it allows me to have. If you look at my pieces, you’ll see that there’s a lot of detail and using a pen just seemed better for me.

There’s a heavy debate concerning the difference between graffiti, street art and vandalism isn’t there?

Leigh: I’ve been doing graffiti for four years. Graffiti has had its time in museums, sure, but it’s for the people, that’s why it’s done outside… and I don’t agree with graffiti being done indoors in a gallery setting. Spray paint is just another medium, which is one that I’ve used here, but graffiti, real graffiti, should stay outside.

Rayaan: Exactly. I love the interaction with the community that comes with graffiti. While you’re painting, you meet people; you have kids running around watching, guys coming up to you asking questions, watching you work… It’s very interactive. You won’t get that indoors at all, working on your own… that’s why I love it.

Leigh: Street art has become a huge movement. People are using it as a way to communicate… to express how they feel in their hearts, and that’s mad! A lot of places are very poor at the moment, so they use street art to say how they feel. They can go out there and do it themselves, dream something up and just do it, which is very cool.

Anwar: Yeah, and a lot of the social networking sites like Facebook and Twitter let people stay connected and share their work with other artists. Instead of just being abut Cape Town and Jo’burg, we can stay in contact with the world! A lot of what you’re seeing here is influenced by that. Our influences come from everywhere, not just one particular set of people.

NardStar*: Exactly. The theme I followed with my work is the idea of staying in touch with people from around the world, online. There’s a portrait of me and my dad; he went to Jo’burg for two years and that’s how we stayed in contact. There’s another one of my friend Kaas, who moved to Oman. It’s deeper than just social networking.

Anwar:

It’s about coming together; that’s what we’re doing here.

Rayaan: Mixing the fine arts side with the street art side… You know, Street Art is supposed to have a message. You have mass media telling people lies every day, all the time, and street art is about dropping knowledge and letting people know about things that they otherwise wouldn’t be able to access.

So did you all go to art school?

Leigh: We’re actually all graphic designers! Our aim was to go and learn how to make things and get involved, and we were so excited… but then when you get there, it’s not what you’d expect it to be. As a graphic designer you learn all about making powerful images but then when you get to the working world, it’s all about the client and there’s no expression in it. That’s why we have CORE. So we can still do what we do best, to express that frustration with having to hold ourselves back.

Rayaan: We’re all a little jaded by the industry unfortunately…

Work hard to play hard huh? Well in terms of hip hop culture, how much does that influence your work here? That’s where graffiti comes from, correct?

Anwar: Yeah, so much! I was so immersed in hip hop culture. I loved MCing and beatboxing; I used to perform with Black Noise and even got involved with Prophets of Da City as well so I was into it full time and I was trying to evolve as a human being back then too. With hip hop, it’s a positive movement that teaches knowledge of self.

It’s about trying to find out who you are and being able to do things for yourself.

Hip hop has brought me where I am today and I’m happy to be here. There’s always a message in the music which is what we’re all about– sending a message.

Leigh: …I was heavily into break dancing in high school, and I realized that the same people who love breakdancing, also like to draw! That’s how I got into graffiti. It just clicked.

Rayaan: Music totally influenced me. The rawness of hip hop was great and it just made sense for me to couple that with graffiti. Just listening to music felt right, and I even DJ’d at some point too. We’ve all been involved in the hip hop scene in some way or another.

So, of all of this… community, hip hop culture and music, what inspires you the most, and does Cape Town as a city influence your creativity at all?

Leigh: The people…definitely. This beautiful gift of a life that we have too.

Anwar: Waking up every morning thinking “today is going to be a good day,” definitely does.

Rayaan: Cape Town as a city… it’s such a symbiotic relationship really. That connectedness that we feel to this place is unbelievable. My peers inspire me the most as well. I feel so blessed to be associated with these guys! We feed off one another’s energy. As soon as one of us levels up, we try to top the next guy and so we all grow together as artists.

Leigh: We’re a family now! We didn’t know each other when we first started out. I met Rayaan at work!

Rayaan: It’s true! I went to get some things printed and I’d never touched a spray can in my life. There was a tag we were discussing, and he asked me if I was into graffiti. I told him I had a secret passion for it and I’d always wanted to try it out. After that, we painted a few walls and became solid friends after that.

So if you could paint on any surface, what would you choose?

Leigh: Giant buildings. And Bridges.

Rayaan: We’re quite inspired by the FAME street art festival in Italy. I would love to work there. See No Evil is also great for murals. It’s such a forward way of thinking, beautifying the city with street art. I don’t know why we aren’t doing something like that in Cape Town, since we have Design Capital of the World award for 2014.

Anwar: We’re really excited about tonight, not nervous at all. We put everything into this; especially those frames. We went from sawing the raw wood to sanding it, to putting the frames together…It was a long process. We spent so much time bonding while setting up, sourcing the venue, everything…

And lastly, are you guys ok with the fact that anonymity of street art is no longer there, especially because of social media?

Leigh: That’s what happens when you get online I guess, yeah we’re cool with it. It is considered a crime in some places but not as much as before. People aren’t afraid anymore. They’re ready to step up and say “yes, this is my piece.”

One thing I have noticed about Cape Town is that everyone seems to know each other, which means you end up seeing the same artists all the time, in the same circles. I know all these guys personally and it’s refreshing to see people doing something new, especially when it’s for themselves. – Guest

The CORE exhibition will be running from Septmenber 6th until month end, 2012 at The Museum Gallery, Upper Eastside Hotel, 31 Brickfield Road in Woodstock. Every Wednesday evening at 18h00 until September 26th, the artists will be hosting CORE Creative Nights, where participants will bring their own drawing materials and engage in the creative experience.

Interview: Shiba Melissa Mazaza & Silje Rolfsen
Photographer: Bernice Israel