WELCOME TO THE FOBE HOUSE | A SPELLBINDING SILENT TALE | PART II
‘Architecture exists, like cinema, in the dimension of time and movement. One conceives and reads a building in terms of sequences. To erect a building is to predict and seek effects of contrast and linkage through which one passes (…). In the continuous shot/sequence that a building is, the architect works with cuts and edits,...
64TH CANNES FILM FESTIVAL REVIEW – PART 2: AUTEURS IN TOP FORM
In Cannes, the tremendous excitement when discovering new talent is precious, but – let’s face it – there is nothing like that adrenaline rush when watching the latest film by an established director. Anticipation meets the joy of identifying styles and mannerisms; signifies and signifiers. A potential sense of trepidation of being disappointed is also...
